Showing posts with label Glazing Liquid. Show all posts
Showing posts with label Glazing Liquid. Show all posts
Monday, July 9, 2012
"The Apex" (sold)
(sold)
"Good books are at the apex of a wise person's life." The apex is a place where important things come to a point or good conclusion. I have a friend who has more books than me and she is a very wise person. It is a blessing to have a large library on your bookshelf or on your iPad.
This piece was cropped from a larger version of gestural strokes created with acrylic paints, glazing medium, and applied to the support with foam brushes and shaper tools. The entire process is all about laying down paint and then removing some.
It does help to spray the paper with water first and then use a concentrated amount of paint mixed with glazing medium to dip your foam brush into. The removal of paint was done with shaper tools and old credit cards. To achieve the solid smooth background first, the paint was brushed over the entire surface and then a brayer was used to smooth out the paint and also remove the excess. Wipe the brayer frequently and keep going in all directions over the entire surface until it is even and smooth. There are a few faint gestural makes created in this background before drying it completely.
After the background is dried, spray the paper with water again and create the bands or block of color and remove portions of the paint until you're satisfied. (Google Carol Pickle for tons of inspiration applying and removing paint.)
I did add just a bit of collage from some practice lettering I did some time ago and a portion of an old book page. With this type of background especially, it is important to use removable tape and play around with the placement of the collage until you are totally convinced you have it in the right place. I knew the collage element was in the right place when the corners were touching the background color in two places which totally grounded it to the background. There is also a lower case "b" in the upper left hand corner that fit in with the color and provided an echo of the main collage element. And there you have it...just a few more things to think about.
Monday, July 2, 2012
"A Distant Melody"
($40.00.....6" x 6"....mounted on a 1/8" depth clayboard panel)
"Hope is a distant melody that becomes louder and more distinct with time." Hope is essential to survive the difficult places in life. This quote is dedicated to several of my dear friends and family members who are going through a hard place. May hope work its way into the deepest recesses of you soul.
The foundation of this piece was created with large gestural strokes on a prepared paper. All of the acrylic paint I used was first mixed with a bit of molding paste, retarder, and glazing liquid. This allowed the paint to stay wet longer and have a smoothness and more body than simply applying acrylic paint out of the tube. The ability to make gestural marks into the paint was also enhanced by mixing this combination.
So the paper (Rives BFK) was toned with Raw Umber + Unbleached Titanium by brushing on with a sponge brush and then rolled over with a large brayer until the color was smooth. After that dried, I created the gestural strokes with a sponge brush followed by the removal of some of the paint with various sizes of shaper tools. Gestural marks were also included at this stage. The fun part was cropping this piece from a larger sheet...paying close attention to the division of space and having the color blocks touch at least two sides of the design space.
It is a wonderful surface to write or draw on because the paint has been applied thinly in most areas. My desire is to hone this in such a way as to create a look of transparency. And there you have it...just a few more things to think about.
Please contact me personally to inquire about this piece.
Subscribe to:
Posts (Atom)

