Showing posts with label Pumpkin. Show all posts
Showing posts with label Pumpkin. Show all posts

Wednesday, October 24, 2012

"Abbreviated Orange"

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"Orange is the color of fall." Orange is beginning to permeate yards and landscapes with pumpkins, but very soon (hopefully), we will see leaves begin to turn and many of them will cycle through yellow, orange, and red, and then brown. The title and inspiration for this quote came from the fact that this piece is entirely created with the color "orange" in all of its tints and shades.

I attended an oil workshop this year and when any student in the class asked how to mix a particular color, the instructor would always say...red, yellow, and blue. And she was right! Of course, white is also needed, but that's what this piece is all about. The very dark brown in the background is the color orange with a less yellow and a lot more red and blue. The light foreground color that is the color of hay is a small bit of "grayed down" orange with lots of white. And of course, the pumpkin is what we would normally identify as orange. 

When looking up the word abstract...some of the other words that describe it are words like abbreviate and summary. I like those words because they perfectly describe what happens when an image is abstracted. In this case, I am giving the viewer an abbreviated image or a summary with many details left out. For instance, the orange in this piece is definitely a pumpkin, but the "ribbing" and minute shadings in the pumpkin are absent. The stem helps to differentiate it from an orange, but even there, the details are left out. 

The foreground color represents hay by its color and value changes, but every straw in the hay bale is absent. This is an exciting approach and hope you will try it sometime. The palette knife is the perfect tool for this because it creates the erratic edges that happen, especially when painting "wet into wet". This piece was done in acrylics with retarder added to the paint. I love oils, but it is very difficult to include lettering in oils. I also have plans to make an extended return to "Open Acrylics" which stay wet for a long time, but will also enable me to write on it with water soluble media. And there you have it...just a few more things to think about.

Monday, October 31, 2011

"Orange Steals the Show" ($40.00)




















(adjusted price....$40.00)

"Orange steals the show in any landscape." One of the reasons I like fall is because of the pumpkins and gourds that are displayed everywhere. My favorite way to see them is in their original setting in the landscape. Enjoy them today in whatever setting you see them in. The chances are good that everyone will see a pumpkin today.

This piece may look like a monochromatic piece with only one color used in all of its tints and shades. But actually it's a complementary color scheme using orange and blue. The blue is well disguised as a gray, but its presence draws you in like a magnet.

Sometimes complementary color schemes are very obvious and create quite a "stir". But if you want a "quieter", more subdued feeling, mix them together with one of the complements dominating. The reason the pumpkin looks illuminated is the surrounding neutrals created by the "mixed complementary colors". The color of orange was kept more intense for the pumpkin which gives it the "glowing" look.

The importance of complementary colors and being able to take advantage of their power in any kind of artwork cannot be overstated. The orange in this piece would not have been powerful by using black to "gray" it down. Nothing dilutes a color and turns it into a neutral like the complement. Just something to think about.


Please contact me personally to inquire about this piece.