I have already concluded that this piece will have (2) more drafts and then the final. So you can see that this is not a super fast way of applying paint to paper. My hope is that you find it as interesting as I do.
There is not a whole lot to add to the notes I've already posted about the techniques used in this piece. You are seeing the full palette in play at this point. For the greens, I am using Green Gold, Cad. Yellow Light,Cobalt Turquoise, and Viridian, plus the addition of white or raw umber to change values.
As far as process goes, I have discovered it is best to cut up a lot of papers at a time. And then it is good to decide what the undercoat is going to be on each one and apply that with a palette knife in the evening. That way, you are ready to go the next morning with the top coat. Otherwise, you will be standing a long time with a hair dryer in your hand.
Another key point is the way the papers and colors are arranged. I like to have some of them as long verticals and others as horizontals, plus a few squares. This really adds the drama to the piece after all is said and done.
It is also a good idea to save all of the scraps. I have changed my mind a few times and had to cut pieces to a different size after they were already painted. Those little scraps will make a nice 4"x 6". And there you have it...just a few more things to think about!