|(draft 4....18" x 24")|
Psalm 100 is a psalm of praise so my idea from the beginning was to have lots of energy, color, and diagonals. Today you see a very changed piece from yesterday. I am almost finished, but need a couple of days to complete the final lettering, and fire a piece of glass. In light of that, I will not be posting again until Tuesday.
Hopefully, you will then see the final. Before I left the studio yesterday, I sprayed the entire piece with spray acrylic coating so it would be very dry this morning. Today I prepared the surface for lettering and then added some dilute white gesso to the focal area. I used a 1.50" broad shaper tool to apply the gesso...sprayed water and blotted some areas, and scraped off the excess gesso. I dried this thoroughly with a hair dryer and then brushed on some light gray pastel. (soft pastel) Of course, I then needed to spray that area again with spray acrylic coating (1x), dry thoroughly, and then again prepare the surface for lettering.
It took me approximately 2 hours to write Psalm 100 in Spanish with a Leonardt Principal Nib in Spencerian Script. After completing that, I then sprayed that area with spray acrylic coating (2x) and then once again prepared the surface for lettering.
Once again I applied dilute white gesso to the same area....followed by blotting, and removing the excess with the shaper tool. (You could also use a piece of mat board or cut up credit card.) This area was dried thoroughly and then again I applied gray soft pastel with a hake brush.
While I was doing this, I was studying the border and my prominent "L" shape and stopped what I was doing to cover up most of the outside area surrounding the "L" shape with black gesso. It immediately change the piece (for the better) and gave the very area around my focal area a chance to be appreciated. I especially like the way the bottom left hand corner shows off the ethereal quality of layered rice papers.
I ended up today with a bit more charcoal powder in the focal area. (The light gray was not completely doing it for me.) Today and tomorrow I will be studying the piece and removing part of the gessoed areas in the focal area to reveal a bit more of the Spanish lettering and the area where the kiln formed glass will go. So I deliberately waited to spray with spray acrylic coating so I could have this option. I will remove parts of the gesso with a stiff brush and rubbing alcohol. And there you have it...just a few more things to think about.