($250.00.....11" x 14".....Mixed Media and Kiln Formed Glass on a Gesso Panel....Presented in a 4" Width Frame)
"Every God direction is road tested. Everyone who runs to him makes it." (Psalm 18: 30...from The Message) Eugene Peterson did an excellent job of writing the Bible in contemporary English. The words bring a lot of visuals to mind. This is the final and will be presented in a 4" width historical looking frame.
Since yesterday and after going to find a frame...I fully realized that black and white combinations (as wonderful as they are) can also be very cold in visual temperature. So I purchased a frame with some of my favorite molding which has a lot of brown.
When I got home, I decided to check out my stash of kiln formed glass and found a piece with lots of black, but also some yellow which looked like raw sienna. That selection sent the entire piece into a different direction.
I took a leap of faith and brushed on several colors of soft pastels over the rice papers. Of course, when you do that, the edges become prominent and the places where the gel matte medium "oozed" out also became prominent. I used brown, raw sienna, and burnt sienna pastels with touches of charcoal powder.
After securing all of that with spray acrylic coating, I added a few more plain pieces of rice papers. You can tell which ones they are because they are much lighter. After drying the new papers, I also brushed on a bit of color over these papers but just enough to integrate them into the piece.
As I went along, I kept checking how the piece looked in the frame and when I was fully satisfied, I sprayed the entire piece (2x) with spray acrylic coating and let it dry overnight.
This morning I prepared the surface for lettering...practiced for at least 1.50 hours and then wrote the verse on the final. I feel completely at home with this look and since the Psalms make us feel comforted, I especially am pleased to have added lots of warmth to the piece.
The kind of depth in layering is also reminiscent of some of my old work so it all feels good to me. The most important thing I took away from working on this piece was not to be afraid to let the piece "morph" in a different direction. I also learned that soft pastels are a very happy companion to rice paper and add a layer of depth and ethereal qualities that are quite compelling. And there you have it...just a few more things to think about.