This is the first in a series with cathedral imagery (if all goes well). I have long been enamored with arches and cathedral imagery. The first decision I needed to make was what kind of cathedral imagery...especially how much detail to include.
At this stage of the game, I chose watercolor in three arch shapes with no detail. There are also some vertical bands covering the page from top to bottom in alternating color. After each application of watercolor, I dried the paper (140 lb. HP...taped to a masonite board). The tape used was gummed taped specifically designed for watercolor paper. After finishing the watercolor portion, I sprayed the surface with spray acrylic coating since watercolor is obviously water soluble. This is what you see in image (1).
The next step was to apply white gesso. I chose to apply the gesso with an old credit card in (3) vertical bands with the watercolor pigment in between these bands. I then dried the gesso and sprayed with rubbing alcohol followed by removing portions of the gesso by brayering. This was not just one pass with a brayer, but went on with alternate spraying and brayering for about (15) minutes.
When I was satisfied with the amount of pigment peaking through and the texture created, I made erratic lines in the gesso areas and wrote a few words while the paper was still damp. The result is what you see in image (2).
You can see from all of the previous postings just how much of an experimental process mixed media is and how many decisions need to be made along the way. In this piece, I am writing down all of the questions that come to mind as I work. So far, I have answered (10) questions and I've barely started the piece. And there you have it...just a few more things to think about.