Sunday, September 1, 2013
Today's posting is simply an experimental piece that may get finished....or not. This was created as a demo piece in a mark making class I taught yesterday. Lots of marks were made and the atmosphere was "electric"!
We worked on several types of papers because papers receive the medium differently from each other. The paper used for today's piece was Rives BFK. It is a print making paper and a bit softer than other papers used for watercolor.
Because of its ability to receive impressions, it is a natural choice for inscribing into the paper and paint while it is wet. And you can clearly see those marks in the background. They can often look like pencil marks, but the inscribed erratic lines that are a bit diffused were written with a bamboo pen into wet watercolor. That first color is a neutral tint.
After leaving this first layer completely alone until it was dry (no hair dryer)...I added some darker erratic lines and gestural marks with a pointed pen and FW Ink. This particular ink is a good choice for this application because it is acrylic and will not bleed when a watercolor wash is brushed over. These lines can be dried with a hair dryer and then shapes of color can be applied with a broad watercolor brush on dry paper.
It is good to leave some of the paper white and not to make more than two passes with the water color in the same area. (Over brushing is the death of this technique.) If you choose to use two colors...dry the first layer of color before applying the second color. It might be fun to see how these very same techniques work on Arches 140 lb. HP or Fabriano 140 lb. CP. These papers are thin enough to ripple when wet, so if working too large...you may want to consider taping your paper to a masonite board with watercolor tape.
This whole process reminds me of layered glass, so I am deeply interested. It's definitely worth a try. And there you have it...just a few more things to think about.