|March 23rd Posting Using Todays Techniques|
|Mono Printing Techniques Over Text|
For the next three days, I will be showing examples of mono printed rice papers and the possibilities that can be achieved. Today I am showing you (5) examples of basic ways to mono print and how the method and amount of paint influences transparency. I have also included a previous posting so you can see how some of this is used in a finished piece.
The supplies are minimal for these techniques which makes them appealing and they provide a wonderful entrance into the arena of design. You will first need a printing plate which is the surface you use to brayer out the Speedball Printing Ink. Glass is the hardest and best surface in my opinion.
The most economical way to make a printing plate is to take regular float glass like you see in framing a picture and tape around the edges with masking tape or duct tape. (This glass can be purchased in standard sizes from Hobby Lobby.)
You will then need a rubber brayer, printing ink, and rice paper. Not all rice papers are created equal so my suggestion is to use Shanghai which comes in a roll and can be purchased from Jerry's. This paper is extremely thin, but sturdy, and created for printing.
In the first example (number one), I used barely a 1/4 of a teaspoon and brayered the Black Speedball Printing Ink out as thin as possible. Much of the ink was then removed with a section of an old credit card and also a wide palette knife. (Metal Palette knives will do a better job of this.) You can then see how transparent it is judging by the amount of text you see.
In the second example, I placed at least 1/2 tsp. of ink on the plate and brayered that out and then removed parts of the ink with credit cards and palette knives. The corner of the palette knife was used to make thin gestural lines in the paint as well. You can only see text where the paint was removed.
In the third example, I added NO additional paint, but liberally sprayed the remains of the previous printing with water. This gives you very soft and diffused edges with very little text showing.
In the fourth example, I added NO additional paint, but sprayed the previous printing area on the glass with more water. This gives you a lot more transparency and a "dripping" and "watery" look.
In the fifth example, I printed the edge of the remains of the second print...dried it....and stamped with a hand cut stamp. All of the samples were then sprayed with acrylic coating....dried with a hair dryer and adhered over the text.
For those in my mono printing class this coming Saturday, I need for you to study the different edges that you can create and the amount of transparency you desire. It is absolutely necessary to pay close attention to the amount of paint used and the amount of paint removed before printing.
Tomorrow I will demonstrate some other types of paint removal and mark making. For those who wish to take this class, I am offering an additional session on Thursday, May 2. Just e-mail me for the details. And there you have it...just a few more things to think about.