As in the other piece called "Transformation"...this 6" x 6" was created by first texturing several pieces of glass with white and black glass line paint and black powder. My purpose was to show different types of line work and different shapes and edges.
I began with white glass line paint and used an empty Pentel pointed brush to make marks in the paint that were a bit larger than the smaller lines. This was a new technique for me because most other tools have not been effective in moving the paint and having it stay in place and it is crucial to write into the paint while it is wet to achieve larger letters or marks. Using this brush has brought another technique into play which will be useful in future projects.
The other writing and line work was created after the paint was dried. I used a corner of a palette knife to etch into very thinly applied glass line paint. In several areas, black glass line paint was applied over the dried white areas with a palette knife. Black powders were then sprinkled into the glass line and then fired. Some crystal clear course frit was also placed in some areas creating the round circle patterns you see.
After the first firings. the glass was cut into different sized strips and placed on top of a yellow opaque piece of glass. After the second firing, a lot of the white glass line faded away so I made a decision to experiment with additional glass line on top of the piece and also place some additional crystal clear course frit within the paint which created an echo of the more subdued circles in the background. I also sprinkled crystal clear powder over the entire piece so that it would be shiny. (Glass line paint has no shine after firing unless powders are added.
I do like the erratic shapes which include several types of edges....some soft and some hard with a variety in between. I am now focused like a laser beam on edges. They are much more important than anyone might think and they can change the work dramatically. Achieving a variety of edges in glass is also a challenge and requires a skillful selection of colors either very close in value or glass laid next to other glass with a strong contrast.
To achieve a range of edges requires the use of powders and a knowledgeable selection of any stringers used. All hard and high contrast edges can cause a few viewers (like myself) to not look at the work for more than two seconds. It is the variety of contrasting edges that most viewers will find pleasing. And there you have it...just a few more things to think about.